Showing posts with label Impossibility. Show all posts
Showing posts with label Impossibility. Show all posts
Friday, 4 June 2010
Impossibility Zines
Impossible Screen Prints
Tuesday, 11 May 2010
Shapes 4
Shapes 3
Looking at how the patterns could use colour or even overlay to create a more confusing effect. I think the gradient works well but it's been done so many times I think it's lost it's speciality a bit. When overlayed I like how the colours multiply but the shapes become to confusing to follow.
Shapes 2
Experimenting with extending the shapes into one another to create almost impossible patterns, through looking closely at how the shapes work and how they can be interlinked and repeated. I'm really pleased with how these have turned out.
Shapes 1
These are my own three versions of the shapes I've come up with, I quite like the harsh shading but also think that they work really strongly on their own.
Impossible Shapes Progress
(images from wikipedia)
These are the three most famous impossible objects/shapes, the blivet, penrose triangle and necker cube. They're all shapes that I have been fascinated with over the last few years and I think it would be a really nice idea to use these three shapes as the basis for my set of prints. I want to see how I can use these shapes as a starting point and then experiment with them and make them my own.
Tuesday, 4 May 2010
Impossible Shapes 1
I've started to have a play around with the idea of geometric shapes that could be a basis of my limited edition screen prints. There seems to be three basic impossible shapes that are the most commonly recognised and used. I think it might be interesting to use these three shapes (penrose triangle, devils for and impossible cube) and a basis for three prints and to really push the application to form some new ideas. I have also been looking at classic uses of impossible shapes by artists by Escher. His painting are often dressed up with large elements of people and buildings, I thought it might be quite interesting to take some of these really famous uses of impossible shapes and take them completely back to basics and just shows the mechanics of how the illusion works, almost like modernist versions of the classics.
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